At a San Francisco arts nonprofit called Root Division hangs a photo that Stephanie Syjuco took in 2017. It’s a portrait — or what appears to be a portrait — of a person covered in a semi-sheer checkered cloth. It’s titled “Total Transparency Filter (Portrait of N).”
“It’s a portrait of an undocumented student who, at the time, was under direct threat of being detained or deported, based on their documentation status,” said Syjuco.
Syjuco, a professor in UC Berkeley’s Department of Art Practice, took the photo a year after Donald Trump was elected president. Undocumented students across the U.S. who had been able to attend college as part of Deferred Action for Childhood Arrivals, or DACA, suddenly found themselves and the lives they had built in jeopardy.
Photographing her student, who had recently graduated with an art practice degree, under literal cover, thought Syjuco, would be a way to illustrate the contradictions the young artist was facing in her daily life. On one hand, she had to be hidden and not call attention to herself in order to conceal her undocumented status. On the other hand, she had to stand out and be noticed to start a career and be a productive person in society.
“I wanted to shoot a photo that would both protect her identity and also describe the idea of having been disappeared, or all of a sudden rendered invisible,” said Syjuco.
The portrait is part of I AM…, an exhibition at Root Division curated by independent curator and editor Adrianne Ramsey that features 15 artists, the majority of whom are based in the Bay Area. The exhibited works, said Ramsey, “respond critically to the idea that American identity is complicit and bound to patterns of violence and rampant discrimination.” Ronald Rael, chair of Berkeley’s Department of Architecture, and his partner, Virginia San Fratello, are showing their billboard “Reunite” (2018) there, and several art practice alumni, including Jear Keokham, Reniel Del Rosario and Andrew Wilson, also have works on display.
Syjuco said that even though our government has a new administration, it doesn’t mean that our country is suddenly safe for immigrants or other people who don’t fit an exclusionary model of what an American is — middle class and of European ancestry.
“These issues are longstanding,” she said, “like racism and the lack of diverse representation in governmental policy and support structures. They didn’t just go away. The xenophobic policies harnessed during the last four years weren’t an anomaly. There are still things that we need to keep speaking against to show the diversity and complexity of who counts in America.”
To view the exhibition I AM…, which runs through Aug. 14, email email@example.com to schedule an appointment.